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Review
“This depthless, elusive classic …explores not just the corrosive psychological colonisation observed by Frantz Fanon, but a more complex two-way orientalism, in which the charms of western thought, embodied in its poetry and liberal ideals, prove irresistible, even as the novel’s Sudanese narrators understand these as the tempting fruit of a poisoned tree.” —Greg Jackson, The Guardian "Season of Migration to the North is an engaging and complicated novel, by turns combative and wistful, about two men who leave Sudan to study in England and afterward belong in neither place." --Maude Newton, NPR.com "Season of Migration to the North is remarkably compact, really a novella rather than a novel. But woven into the brief text is a dense tracery of allusions to Arabic and European fiction, Islamic history, Shakespeare, Freud, and classical Arabic poetry—a corpus that haunts all his writing. Salih, who died this past February in London, packed an entire library into this slim masterpiece. It is literature to the second degree. And yet it is anything but labored. Rather, it is alive with drama and incident: crimes of passion, sadomasochism, suicide. It is a novel of ideas wrapped in the veils of romance." --Harper's Magazine "This is the one novel that everyone insisted I took with me. Set in a Sudanese village by the Nile, it is a brilliant exploration of African encounters with the West, and the corrupting power of colonialism. The narrator is a man returned to his native village, after university in England, and he gradually unpicks the horrifying story of a newcomer he finds in his old home. This man had been a brilliant Sudanese student and had also gone to England with terrible consequences. I never got this book out to read without someone coming up to tell me how brilliant it was." --Mary Beard “Season of Migration to the North, by Tayeb Salih, is an eloquent and restrained portrait of one man’s exile. It is a rare narrative in that it charts a life divided between England and Sudan. Without a doubt it is one of the finest Arabic novels of the 20th century, and Denys Johnson-Davies' translation…does the original justice.” –Hisham Matar "Emerging from a constantly evolving narrative, in a trance-like telling, is the clash between an assumed worldly sophistication and enduring, dark, elemental forces. An arresting work by a major Arab novelist who mines the rich lode of African experience with the Western world. An arresting work by a major Arab novelist who mines the rich lode of African experience with the Western world." –Publishers Weekly "A beautifully constructed novel by an author whose reputation in Arabic is deservedly vast." –London Tribune "It is certainly time that [Salih] be better known in America." –The Christian Science Monitor “An Arabian Nights in reverse, enclosing a pithy moral about international misconceptions and delusions...Powerfully and poetically written and splendidly translated by Denys Johnson-Davies.” –The Observer (London) “Season of Migration to the North by Tayeb Salih, a Sudanese novelist, and one of the most important Arabic-language novelists. It's the story of a man who has studied abroad and returned to life in Sudan–about the sort of cultural conflict and internal conflict from colonization. It's a very short novel and a number of people had recommended it to me based on what I had written. The subject matter is interesting: the story of this crisis of someone returning from life in the West." –The Christian Science Monitor "This book was given to me some time ago by a librarian who had to replace her fiction shelves with an information centre. I was completely captivated by the story...the writing is extraordinarily hypnotic. First published in Arabic in 1966, and in English in 1969 by Heinemann's African Writers Series, it was much acclaimed but did not gain as wide a readership in English as it deserved." –The Guardian "Inevitably, Aboulela has been compared to Tayeb Salih, whose brutal novel Season of Migration to the North is considered a classic among postcolonial texts and covers the same geographical distance as Minaret (Salih's fiction has been widely translated from Arabic; Aboulela writes in English.)" –The Daily Star (Beirut) "The prose, translated from Arabic, has a grave beauty. It's the story of a man who returns to his native Sudan after being educated in England, then encounters the first Sudanese to get an English education. The near-formal elegance in the writing contrasts with the sly anti-colonial world view of the book, and this makes it even more interesting." –Chimamanda Ngozi Adichie, author of Purple Hibiscus "In this extraordinary 1966 novel, a young man returns to his Sudanese village after studying abroad...Salih's own distinguished career with Unesco only sharpens this nightmare of a cultural singularity that twists into a lie. His sweet foreword remarks that he never made much money from fiction, so this reissue is doubly welcome." –The Guardian "The Sudanese classic novel Season of Migration to the North, Tayeb Salih's inversion of Conrad's journey into Africa." –The Guardian "Though Salih's work is deeply rooted in local culture, Johnson-Davies says it has a universal appeal: ‘He writes in the main about simple peasant people living in a village on the Nile, but they are individuals with very much the same preoccupations as anyone else. I recollect a scene where several of the characters boast about the merits of the donkeys they are riding, as though one was driving a Porsche, another a Maserati, and so on!’” –The New Yorker "The meeting of the East and the West as a narrative of romance is not new territory: E.M. Forster, and lesser lights like M.M. Kaye and Paul Scott, have also presented the colonial encounter as a romance, at times failed, at other times forced. More important, writers from the other side of the colonial divide have come to prominence in recent decades through their own, perhaps more contested, portrayals. Tayeb Salih's Season of Migration to the North was an early classic of this genre." –The Nation "Tayib Salih's Season of Migration to the North is a clever inversion of Joseph Conrad's Heart of Darkness: for in this case an Arab worker leaves his people and goes to Europe in search of employment, finding in the process that he has indeed entered his own heart of darkness." –The Irish Times "This story might seem like a village tragedy from the Sudan, the homeland of the writer Tayeb Salih, but its resonances carry far beyond the setting. Season of Migration to the North is a brilliant miniature of the plight of Arabs and Africans who find themselves no longer sustained by their past and not yet incorporated into a viable future. Swift and astonishing in its prose, this novel is more instructive than any number of academic books." –The New York Times “A modern Arabic classic.” –Reuters “Denys Johnson-Davies...the leading Arabic-English translator of our time.” –Edward Said, The Independent “Davies has done more than anybody to translate modern Arabic fiction into English and promote it.” –Nagib Mahfouz
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About the Author
Tayeb Salih (1929-2009) was born in northern Sudan in 1929 and educated at the University of Khartoum. After a brief period working as a teacher, he moved to London to work with the BBC Arabic Service. Salih later worked as director general of information in Qatar in the Arabian Gulf, and then with unesco in Paris and the Arab Gulf States. Along with Season of Migration to the North, his books in English include The Wedding of Zein (which will be published as anNYRB Classic) and Bandarshah. Laila Lalami was born and raised in Morocco. Her work has appeared in The Boston Globe, The Los Angeles Times, The Nation, The New York Times, The Washington Post and elsewhere. Her debut collection of short stories, Hope and Other Dangerous Pursuits, was published in the fall of 2005, and her first novel, Secret Son, was published in the spring of 2009. She is currently Assistant Professor of Creative Writing at the University of California Riverside. Denys Johnson-Davies(1922-2017)published more than twenty-five volumes of stories, novels, plays, and poetry translated from modern Arabic literature.
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Product details
Series: New York Review Books Classics
Paperback: 139 pages
Publisher: NYRB Classics; New York Review Books Classics edition (April 14, 2009)
Language: English
ISBN-10: 1590173023
ISBN-13: 978-1590173022
Product Dimensions:
5 x 0.4 x 8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
57 customer reviews
Amazon Best Sellers Rank:
#38,574 in Books (See Top 100 in Books)
This novel is very well written and has a flowing style. The story centers around two main characters who both leave Sudan to study in London with very different results. These men seem to be stuck in one of two modes, aggression or apathy.The story addresses several themes during the course of the book. They key theme is the after affects of Colonialism on a country and its people. The novel shows a lot of brutality toward women. There is some playful character development in a group of the village elders, however, the book overall is not one that will leave you uplifted or whistling a happy tune at its conclusion. I read the English translation, in which the translator worked extremely closely with the author, however, there is also one in Arabic which is said to have beautiful wording. My suggestion would be to read this book if you are interested in this topic, otherwise, you may find something of more interest elsewhere.
As a scholar on an NEH Institute on the topic "Arabic Literature in Translation" I studied this book and subsequently taught it in a high school humanities classroom. As the senior classes in TAG AP literature approached graduation, one student asked for my desk copy as a souvenir, and I gladly gave it to him before I also "graduated" to retirement. Now, over a decade later, I was searching for another copy and was elated to be able to buy a paperback copy at such a reasonable price. At this time of relative ignorance of the history of many parts of the Middle East and its myriad histories and populations, I am still impressed by the metafictional insights and perspectives that such a small book can give the reader. In addition, the language of the translation is amazingly lovely and poetic, yet clear and meaningful. Despite its compact size, it calls for multiple readings: once for the breathtaking personal stories and scenic descriptions, and at least two more to annotate the contrasting historically political perceptions of human beings who lived the times.
This book presents the sweet and rough sides of Sudanese society in a way that only a local author could describe it. While the central story (the story within the story of Mustafa Saed) is somewhat blurry and not fully resolved in the book (at least for this reader), the contextual story developed by the narrator, including descriptions of family life and landscapes, are beautiful and riveting. My book club read it in combination with "Heart of Darkness," because Mr. Salib was inspired in part by Conrad's tale of pain and despair in the collision between two very different cultures.
It's interesting to read reviews of this short novel. Half of the readers see it as a satirical version of Joseph Conrad's "Heart of Darkness". The other half - who perhaps have never read Conrad - think it's a vain, silly (although lyrically written) tale of a sex-maniac guy who likes to seduce and abandon women. This is one of the inherent problems in a novel which is meant to reference another work. If you were to read "Bored of the Rings" (an awesome parody of Lord of the Rings) without ever reading Lord of the Rings you might think it silly. Read them side by side and you realize the brilliance at work. Not only is that true here as well, but I also do think that Season of Migration to the North stands alone as a work in its own right.First, if you've never read "Heart of Darkness", look it up on the web and read it. It's online in its full text (it is out of copyright now) and you can read it for free. It's a short novel, just like Season, and should only take you an hour or two. It is a brilliant work, well deserving of its high acclaim. Go on, we'll wait for you to come back.Now, having read Heart, you can see the many similarities with Season. Both tell of someone starting from their own civilization and venturing out into the "opposite", and being changed by the experience. In Heart, an Englishman ventured into the Congo. In Season, Mustafa - a brilliant but anchorless student - is sent for education up to Cairo and then to London. Rather then becoming "refined" by the experience, he quickly bores with the women continually throwing themselves at his "exotic excitement". He deliberately lies to them about his background, his country's history, the meaning of his culture, and they don't care - they just want to be held by his ebony hands.Both novels create meaning in the power of the river, with the way it twists and turns around obstacles and keeps going. It is water which brings new life and destroys existing ones. Both novels use a second hand narration style, so you are hearing a lot of the story from a more neutral observer.Some people take exception with Season's focus-character, Mustafa, being a playboy. Really, he is in no way any worse than many novel protagonists! The only difference here is that the women he abandons then all decide life is not worth living :) Hopefully nobody was taking that as a serious fact-ridden narration, that this beautiful dark man was waltzing through London society leaving a trail of dead bodies in his wake and it was another common happening. To me it was a social commentary on how certain types of individuals glamorize "powerful savages", give themselves over fully to the fantasy and then cannot deal with reality when it rears its head. Wrap this up with the aforementioned tongue-in-cheek references to Heart and you begin to understand where this was all coming from.I loved the lyrical beauty of the telling, the wealth of details about Sudan life, about how individuals felt about the colonization of Sudan and the subsequent social upheavals. Changes are coming - they are hinted at throughout the story. Wooden water mills are turning into pumps. Cars are traveling roads once only seen by camels. Even so, a 30 year old widow who does not want to marry is forced into a wedding with a man 40 years her senior, solely because her father orders her to.I think there's a lot to learn here, and that the journey is full of beautiful imagery. If you've read this once and it didn't make sense to you, then read Heart of Darkness. Read a book or two on the history of Sudan. Then come back to this, and see what new layers present themselves.
A very well written novel. The way it compares two different cultures is brilliant.He pictured how women are exploited in different cultures. And he is absolutely right how we treat women in third world countries which is very sad.But the other thing noticeable is that women in western societies are facing different kind of problems. The destructiveness of failed/unhappy relations is evident (which is present in both cultures one way or another)..The impact of western culture on people who come from third world countries, as described in this book, is somewhat wrong. He made Moustafa look like a villain. And does his experiences in western world changed him? I don't think so... in the beginning writer portrayed him as someone free from feelings of admiration and envy... and I think he showed the same coldness in all his relations.. he cant be blamed for the lives of those poor girls.But I like the way he depicted the simplicity shown in the life of Sudan. How people in a village are like a family and how their day to day activities are dependent on each other.
This is a beautiful translation. I used to understand some of the colloquialism in the Arabic text. I don't think they were all correct but this helped
Good writer, first time reading one of his novels. Great background on African culture
Good book needed it for my literature class
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