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Memoirs of Montparnasse (New York Review Books Classics), by John Glassco
Ebook Memoirs of Montparnasse (New York Review Books Classics), by John Glassco
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Review
"It's wonderful to see John Glassco's charming Memoirs of Montparnasse getting the international recognition it deserves. Like its author -- whom I knew quite well in the 1960s -- the book is a loveable and eccentric rogue, fond of style and up to mischief. It never fails to entertain." -- Margaret Atwood"Memoirs of Montparnasse is one of the most joyous books on youth -- the thrill and the gall and the adventure of it. It is also one of the best books on being in literary Paris in the 1920s." --Michael Ondaatje"[Memoirs of Montparnasse] should be read and at last recognized as the most dramatic of the many narratives dealing with Paris in the 1920's." --The New York Times"The title calls to mind a whole genre of books...But Glassco's book, published from a manuscript nearly forty years old, is fresher and truer to the moment than the others, as well as being more novelistic and, in a sense, legendary."--The New Republic"A very good book, perhaps a great book." --The Washington Star"The best book of prose by a Canadian that I've ever read." --Montreal Gazette"This is a delightful, on-the-spot report of the days when it was still possible to be very young, very hip and very happy all at the same time...this precious, witty document from a long-vanished younger generation has both the freshness and remoteness of some ornate space ship found intact in a forgotten tomb." --The New York Times
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About the Author
John Glassco (1909-1981) was born in Montreal and attended McGill, but moved to Paris before attaining his degree. Glassco won the Governor General’s Award in 1971 for his Selected Poems.Louis Begley lives in New York City. His previous novels are Wartime Lies, The Man Who Was Late, As Max Saw It, About Schimdt, Mistler’s Exit, Schmidt Delivered, and Shipwreck.
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Product details
Series: New York Review Books Classics
Paperback: 296 pages
Publisher: NYRB Classics; Main edition (May 29, 2007)
Language: English
ISBN-10: 1590171845
ISBN-13: 978-1590171844
Product Dimensions:
5.3 x 0.6 x 8 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#253,480 in Books (See Top 100 in Books)
Glassco is probably unknown to most US citizens, as he was a lesser-known 20th century Canadian poet. His semi-fictionalized memoir of 1920s Paris and environs is interesting primarily for the celebrities he allegedly met during his short stay as a layabout student - Hemingway, Bricktop, Richard Le Gallienne, Djuna Barnes, Frank Harris, and a host of others. Fascinating as are some of his adventures, he composed this work from memory, decades after the fact, so one has to wonder how much actually happened or how much he much is elaborated. What's missing here, according to the introduction, are the more sordid details of Glassco's money-making schemes, including work as a 'boy for hire.' Still, anyone looking for a bit of amusement will enjoy Glassco's memoir.
I never tire of memoirs of the arts community in Paris in the first half of the 20th century. I find John Glassco's Memoirs of Montparnasse to provide a breadth unavailable in those of Ernest Hemingway (A Moveable Feast), Sylvia Beach (Shakespeare and Company), Morley Callaghan (The Last Summer in Paris), and Gertrude Stein (Alice B. Toklas). Glassco was the younger of this group, the least experienced and established, one of the later arrivals on the scene (1927--only Callaghan would arrive a few months later, in 1928), and possibly the cockiest. Barely out of Magill College at age 19, he and fellow Canadian youth Graeme Taylor, dove into the all night café and party scenes, the brothels, the promiscuity, the bisexual experimentation, the nightclubs and the drinking, as well as the intellectual scene. They were open to everyone and anyone (well, as time wore on, not quite everyone). As a result, his book is much more of a Who's Who than the others, it offers anecdotes about Joyce and Stein you won't find in the other books, and it provides more of a sense of the day-to-day, happy-go-lucky, hand-to-mouth experience. Glassco unabashedly sought pleasure.Glassco was accused of promoting a fraud when he first published this decades later. He was actively working on his memoirs and publishing some of them while in Paris. The initial set up is that he returned to them a few years later when he lay seriously ill from TB in a European sanitarium and added some retrospective notes. In reality he relied on his original notebooks years later, changed some of the names to protect close friends and romantic liaisons, and reconstructed dialogues and occurrences as remembered or felt. In this age of creative nonfiction, we still classify that as nonfiction, not fraud or fiction, and scholars of the era have said Glassco nailed what Paris was. Whatever the case, it makes for a terrific read.This edition augments the original text with period pictures of the scenes and players and a very helpful gloss of all the people mentioned appended to the back of the book. Louis Begley contributes a decent introduction (though it contains spoilers, so read it after Glassco's narrative). Begley repeatedly misspells the name Glassco made up for one of the women in his life, but that seems to be the only off thing. I had hoped for more on the author's life, but there isn't that much information out there. He returned to Canada after the TB treatment in the early 30s, lived on a farm, delivered mail, published poetry and erotica, married a couple of times and faded away.
This is an interesting book in that John Glassco may have written it when young, then finished it when ill and older. Be that as it may, fact or fiction, it's a good read. He is traveling with a friend, Graeme. They encounter many folks of whom we've heard before and some new ones in Paris of the late 20s. He assigns some of them fictitious names. Lots of poverty and partying It's part dialog, part narrative. At the end, there's a fine descriptive summary which identifies the characters and who they are as well as one which does the same for places in Paris and what has happened to them. From this book I found the barman Jimmy Charteris's book This Must Be The Place (Dingo, etc.) and Richard LeGallienne's From a Paris Garret.
A savvy student of manners, John Glassco has a sharp eye,an inventive mind and a witty way with words, along witha worldliness that nothing can shake. This "memoir" of hislate teens in Paris in the 1920s exudes great style as theauthor romps around recollections of George Moore, Hemingway-Joyce-Stein, Man Ray, Bricktop and others, like Kay Boyle.Many names have been changed. To what extent is the book true?The answer is as unimportant as the question.Key figure is writer-editor Robert McAlmon, a dashing literary,social and sexual host to Montparnasse. While hedonistsand eccentrics graze the shimmer & shadow of life (includingthe vulnerable author), John Glassco captures the human truths ofliving with an honesty that sparkles.
Really enjoyed reading this. The way language was used by many of the characters was a delight. Nice look at Paris in the 20's. Neat to see young people chasing dreams.
Despite some pretty "show-offy" and borderline archaic vocabulary, this book was a pretty fun read. Mr. Glassco also knows where to skimp on details and where to splash out, especially where he himself is concerned? But I enjoyed the ride, am a big Paris fan so it was exciting for me!
If you want to find out what it was like living in Paris in the late 1920's, buy or download this book immediately. Don't waste your time reading or re-reading Hemingway or Fitzgerald. This book has it all. John Glassco's memoir deserves to be much more widely read. The writing sparkles.
Surprisingly good, interesting,well paced and surprising. It is incredible the people the author meets and the relationships he forms. The memoirs are full of fascinating and odd people
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